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Read an excerpt from
HONG KONG |
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Amazon.com |
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Borders.com |
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| Will be enjoyed by Coonts'
many fans...Coonts has perfected the art of the high-tech
adventure story. --Library Journal |
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| "Move over Clancy, readers
know they can count on Coonts." --Midwest Book Review |
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| "HONG KONG is a page-turner
in the tradition of the great gum-shoe novels; a book that dares
you to put it down. Coonts is a master at balancing realistic
detail with effective pacing and spicing the mix with a light
dusting of the human condition..." --Ward Carroll, U.S. Naval
Institute PROCEEDINGS, Feb 2001 |
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| "Stephen Coonts' Jake Grafton
novels are among the glories of the military thriller. Coonts
does many things extremely well, but what I appreciate most is
that Grafton, unlike many heroes of warrior fiction, is actually
a human being... Coonts' grasp of military technology and
operations is outstanding. But Coonts places his hero in
situations where he must not only act, but think; where there is
not necessarily one right answer; where he may doubt himself."
--Mark Johnson in the San Jose Mercury News |
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| "Coonts also skillfully
captures the postmodern flavor of Hong Kong, where a cell phone
is as apt as an AK-47 to be a revolutionary weapon." --Richard
Amidon in USA TODAY September 7, 2000 |
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| "The author gives us superior
suspense with a great cast of made-up characters in this
real-life hot spot... But the best thing about this book is
Coonts' scenario for turning China into a democracy. From his
page to God's ear." --Liz Smith in her syndicated column of
September 12, 2000, appearing in the NEW YORK POST, NEWSDAY, and
many others |
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HONG KONG
HONG KONG is Stephen Coonts' ninth published novel,
his eighth novel starring Jake Grafton, today's most popular
action-adventure hero.
Jake Grafton takes his wife, Callie, along when the U.S. government
sends him to Hong Kong to find out how deeply the U.S. consul-general is
embedded in a political money-raising scandal. And why not? Jake and
Callie met and fell in love in Hong Kong during the Vietnam War, and the
consul-general is an old friend from his Vietnam days, Tiger Cole.
A lot has changed since those days, as the Graftons quickly discover.
They find Hong Kong is a powder keg, ready to explode. The closure of a
foreign bank by the communist government is the spark that lights the
fuse... and Tiger Cole is right in the middle of the action.
When Callie is kidnapped by a rebel faction, Jake finds himself drawn
into the vortex of a high-tech civil war. Drawing on the skills of CIA
burglar Tommy Carmellini, in order to save his wife Jake Grafton must
figure out who is wearing the white hats among the Chinese patriots
fighting for the future of China... and make sure the right side wins.
As usual with Stephen Coonts' novels, HONG KONG is full of action, high
adventure, and fascinating characters. Readers will also be captivated
by the Sergeant York robots, the 21st Century replacement for the main
battle tank. If you think high-tech is all Palm Pilots and email, think
again!

Deborah and I went to Hong Kong in the summer of 1996
to see how it had changed in the years following the Vietnam War. I had
visited the city about six times in the period 1971-1973, but hadn't
been back since. The changeover from British to Chinese Communist rule
was supposed to happen in 1997; I thought that event would trigger
renewed world interest in Hong Kong. The story I had in mind involved a
Japanese invasion of Hong Kong while the Russians invaded northern
China. I eventually decided that plot was too complicated and dropped
China completely from the story, ending up with a Japanese invasion of
Siberia. The book was published as FORTUNES OF WAR.
The city Deborah and I visited that summer of 1996 had grown
tremendously in the 24 years since I had last seen it, and most of the
growth was straight up. The Central District had become a downtown of
glass-covered skyscrapers, huge, towering buildings that filled city
blocks and created concrete canyons. I couldn't even recognize the
neighborhood where the old China Fleet Club had been. A McDonalds stood
where the old Red Chinese department store had been near the Kowloon
ferry pier. The alleys of the Wanchai District were gone, redeveloped
into miles of high-rise housing for Hong Kong's millions.
The smells had changed too. In the early 1970s the Chinese had used the
sidewalks for kitchens. Shark and fish and unrecognizable stuff was
fried on every corner. There was little of that remaining in 1996. The
people of Hong Kong were much more prosperous and did their cooking in
kitchens in the high rises. The smell of Hong Kong that summer was the
smell of the sea or the deep pungent aroma of China when the wind was
off the land.
The people we talked to presented a brave face over the coming Communist
transition. They were optimistic. We thought we detected more than a
hint of wishful thinking, for the transition was absolutely inevitable.
Still, the undisputable reality was that the political and economic
forces that had created the miracle of Hong Kong were about to undergo a
drastic change.
Like everyone else, the following year I idly watched the transition on
television and read about it with little interest since my story idea
had changed. The transition occurred in an orgy of Chinese patriotism,
sobered somewhat by the memory of Tiananmen Square.
In 1999, while my publisher and I racked our brains to come up with a
book idea to follow CUBA, someone, I have forgotten who, brought up the
subject of Hong Kong. I remembered the 1996 visit and my fascination
with the people who were about to become subjects of the last great
communist regime, and readily agreed to do a story based there.
Thinking about the story on the train home, I began to see the shadowy
outlines of a high tech revolution that pulled Jake into the vortex of
the storm. I have been looking for some time at ways to get Callie more
involved in a story, and this idea seemed to have promise. Cyberwar was
a natural outgrowth of my desire to incorporate a "what's happening now"
aspect into the story.
I had the characters up and going and the story well underway although I
didn't have a climax in mind. This violated my first rule of
storytelling: Know where you are going before you start. I was in a
panic. I didn't want to write hordes of revolutionaries shooting it out
in the streets with uniformed Chinese soldiers--that scenario would be
dead on arrival in New York. I needed something a lot better than that.
Almost at my wits' end, I was watching the Discovery channel one evening
when a program on robots aired. I sat fascinated. Robots! Here was my
climax: fighting robots leaping and bounding along like mechanical
supermen. As usual, I immediately consulted my neighbor, engineer and
physicist Gil Pascal, who was a gold mine of information about neural
networks, UWB radar and WB cell phones.
If the military is working on robots like Sgt. York the program is
black, which means it is highly classified. Network-centric warfare is
here now. One suspects that fighting robots could not be far behind.
All in all, I was pleased with the way the story turned out. It was very
linear, which is not the usual structure for a thriller, but I thought
it told the story of Jake and Callie and Tiger Cole and some of the
people of Hong Kong in an entertaining way, which was the goal I wanted
to achieve.
I hope you like the tale.

Hi Steve, just re-read Hong Kong and get a kick out
of your use of Moline. Having lived there for 4 years we do understand
the reference to this area and the people. Been going though all
the books in order, or semi-order with Intruder series, and always enjoy
the stories. Waiting to read The Assassin in a few weeks.
Thanks again for all the good stories and it was a real pleasure to meet
you last year at Paine Field.
John Dalke July 16, 2008
Just wanted to let you know I finished Hong Kong. WOW
!! I can not believe that was not made into a movie!! I had a very hard
time putting the book down - thanks for a lot of nights with only a few
hours sleep!! Those York units - I could see them clear as day! Loved
it!! I am one of your biggest fans from NH -
Thanks again for hours of entertainment.
Bob Salter July 14, 2008
I was delighted to find you were writing the sort of
books I like - at 73 I've read most of the books of my favourite
authors.
Just a tiny niggle - the crowd outside the Orient Bank in "Hong Kong"
Chapter 2 could not possibly have been "disbursed" though it could have
been "dispersed"!
Tony Hill August 24, 2007
Hi Stephen, I just finished reading Hong Kong in two
days. It was exciting enough that I could not put it down. It must have
been the good efforts of your wife that made it so readable (ha) I have
two copies of Cannibal Queen on my shelf- one to keep and one to loan. I
am also a private pilot and keep hoping that you will fly the Queen to
Wichita Falls, Texas and give me a ride. If you should ever come to
Texas, I would enjoy meeting you. Again, congratulations on a fine
novel." -- Jerry Woods February 3, 2006 Dear Mr. Coonts, This is the
first time I have ever written to an author but I wanted to take the
time to thank you. I have been a proud member of the U.S. Air Force for
over 16 years now and somehow seem to be drawn toward your books during
times of crisis. During Desert Shield/Storm I picked up a copy of Flight
of the Intruder from the book exchange. Being a huge fan of Naval
aviation, in particular carrier ops (don't ask why I joined the AF) I
thought it would be a good read. I wasn't disappointed, from the opening
chapter I was hooked. After reading "Flight" I quickly followed up with
Intruders and Final Flight with Intruders being my favorite. Being the
type of person who enjoys taking things apart (much to my dear wife's
dismay) just to see how they work, your in-depth descriptions of carrier
ops, in particular the launch and recovery systems was like candy to me.
I am currently pulling a one year remote in Iceland and once again
separated from my family during a time of crisis. When I reach critical
mass on all the horror, tragedy and sorrow of recent events it is Jake
Grafton to the rescue. My wife sent me a copy of Hong Kong last month
not knowing that I was fan. As luck would have it (good or bad I don't
know) it seems your excellent writing and captivating storyline will
help me through this difficult time. I can forget about the real world
as I become engrossed in Admiral Grafton's exploits, and for that I
cannot thank you enough.
Sincerely, Thomas Woodfield
"I just completed HONG KONG. One word, sir: FANTASTIC! I really had
difficulty putting that one down. To be honest, it was better than
AMERICA. I am VERY tempted to just by Liberty at full price. Being a
book collector, I wouldn't even bat an eye but my wife happens to handle
the money in our family! *chuckle* So, I guess I will have to wait until
it goes on sale again at B&N or it's released in paperback. To be
honest, you are a better writer than Clive Cussler and I have read each
of his novels. Keep up the great stories, I will continue to buy your
books and recommend to others. Would be a real treat to see one or more
of your recent novels on the big screen, like Ian Fleming's James Bond.
Thanks again for another great work!"--Jesse Helmick, August 31, 2003
"Dear Sir, Not being a great fan of reading, when I stumbled across your
book Hong Kong and was able to complete it in a week-end (a book this
size would normally take a month), I was hooked on your writing. It has
been a month since purchasing Hong Kong, and I have also purchased and
completed Cuba. Currently I am working on America, and expect to be done
it within the week. Congratulations on the excellent work and I look
forward to reading the old and new novels that you write."
"Mr. Coonts, I have been an avid reader/fan since FLIGHT OF THE
INTRUDER. I look forward to each Jake Grafton novel. Thank you for
making such an enjoyable and respected character. To tell the truth he
was part of the reason we named our second son Jake. The most inspiring
part, for me, of Jake Grafton's make up is his imperfections, but he is
perfectly himself. He is always trying to do what is right. These traits
are in short supply today and it is refreshing to see these ideals, even
if they are only in print. I am sure you have based his character on
yourself or people you have known. Please keep up the great work and I
look forward to the next novel." --Mike Kalette April 8, 2001
"(Thanks) for the hours upon hours of enjoyment. After I devoured Mr.
Clancy's works extant some years ago, I searched long and hard for
another author who could carry me away as he could and found only you.
So I bought and read all your fiction and continue to buy and read your
work as you publish. I continue to faithfully plow through Mr. Clancy's
work, but know in the reading of it that he has lost sight of
something....I think he loves his words too much.... Sorry...this wasn't
intended to turn into a critique of another author save to say that I
don't feel you've done that. You are an outstanding author. Keep your
eye on the ball and I and many others will continue to buy and read your
work. Anyway... thanks very much." --Trent , March 21, 2001
"Mr. Coonts, I have enjoyed reading every one of your novels that had
Jake Grafton as the main character. Most of the novels I find difficult
to put down in order to go to work or eat. I have served in the Navy for
over 34 years and can appreciate the accuracy and professionalism that
you project in your novels. Your first novel, "Flight of the Intruder"
was one of my all time favorites with its subsequent sequel. So thanks
very much for the pleasure you have given all of your readers over the
years. In the novel that I'm presently reading, HONG KONG, in the
dedication, you mention that your wife dreams up literary tangles, I
might mention that my wife tells me of the novels she is reading that
has always such convoluted plots, that I wonder how in the world can any
one solve them." --Don Ellwood, March 22, 2001
"Dear Mr. Coonts, I spent 20 years in Hong Kong serving as a grade
school teacher in a Chinese school, editor and layout artist for an
Asian Catholic News Service, and as a social worker of sorts in the
Vietnamese detention centers. I left Hong Kong in late 1994 to work here
at our Center in Ossining, NY.
"Last week, while browsing our library, I came across your book HONG
KONG, on tape. Once I began listening, I could not stop. Not only did it
make me home sick for Hong Kong, but the story you weave is very
compelling. Your also paint a fascinating picture of a somewhat backward
China juxtaposed
with a modern, techno smart Hong Kong. I like your characters, some of
whom I might have known (or known of) myself in Hong Kong. Thank you for
an entertaining weekend and for taking me back to a place I love and
miss very much. Also, a place for which I have much concern since the
Chinese take
over in 1997." --Sister Martha January 29, 2001
"Dear Mr. Coonts, I absolutely loved HONG KONG. I have to tell you
though, I'm really ready for your next Jake Grafton Novel. It seems to
me that there are several places in history between the Viet Nam
conflict and the present that Mr. Grafton could find himself at the
stick saving the day. I am anxious to read about them. I really admire
your work. Always have and thank you for the 'memories'." --Mike Casey,
January 14, 2001
"Just finished HONG KONG. Enjoyed it as much as the others. One
advantage of being retired is being able to stay up half the night to
finish a good book. Looking forward to the next one." --Mellissa Brown,
January 13, 2001
"Dear Stephen, I've read all of your works since FLIGHT OF THE INTRUDER
came out, and love 'em all. I work in the computer industry (about all I
could do with the spook background I acquired in the Army Security
Agency in Viet Nam) and am reasonably well versed in artificial
intelligence and robotics. Hence I was intrigued by the Sergeant York
robo-soldiers in HONG KONG... Sergeant York may not be with us yet, but
it looks like "mechanized infantry" is about to take on a whole new
meaning!" --Terry Shannon, January 12, 2001
"Hello how you doin? I'm another one of these mad people who's read
almost everything you've ever written. well everything that I've found
anyway and id like to say how much I enjoy reading your work, its really
good reading. When reading the opening pages of FLIGHT OF THE INTRUDER I
can almost smell the fear in the cockpit and I automatically apply GLOC during
the dogfights and such and that carries on right through the whole
series, it really is a pleasure to read. So what is Jake doing next and
is the Toad man going for the ride? I hope to find out soon. HONG KONG
was great by the way." --Father David Blinman, January 13, 2001
"G'day Steve, Just received a copy of your newest book HONG KONG as a
Christmas present from my 7 year old daughter, Jacqui. Couldn't put it
down. Fortunately, I was blessed with a hot 'do-nothing' day (36 degrees
Celsius), and no in-laws, and so was able to enjoy the story in one long
read. A rarity in my family! I will certainly be reading it again. Thank
You." --Matt Robinson, Brisbane, Australia. December 26, 2000
"Hi! Just wanted to let you know I enjoyed your HONG KONG. At the end of
September I was in Sam's with my sister; saw your book, told her she
could buy it for me for my birthday. She did and I read it. I don't
usually enjoy blood & guts adventure, but this one is a winner. You flew
for the Navy during Vietnam, and I was sitting in the U.S. Consulate (in
the CIA offices) at the time. I remember those parties at the Hilton
when the navy guys would hire the ballroom for a cocktail party. Those
were also the days of the walla-wallas which operated after the Star
Ferry closed. I subsequently left the CIA. after a two-year tour in HK
and married the chief-sub at the China Mail (the afternoon paper of the
South China Morning Post which was owned by the Brits -- although there
were always lots of Australian journalists on both papers and, in fact,
some who had worked for Murdock)... I never wanted to "go back" to
Honkers." --Ann Williams October 28, 2000
"Dear Mr. Coonts: Having just finished Hong Kong I can tell you that I
have rarely enjoyed a book more. I have devoured all that you have
written and look forward to your next book with great anticipation. I
spent many years in Asia with Hong Kong as my "base of operations." The
Regent hotel being ground zero for me. You captured the flavor and
spirit of what was, and is for me, a vibrant and exciting and very
mysterious part of the world. Thank you for taking me back to my second
favorite city in the world and giving me a glimpse of how it is since
the turn over." --Stuart Leopold, October 5, 2000
"Bought HONG KONG this afternoon; just finished it. Loved it. It doesn't
have the same global feel that Cuba did even though the subject is
headed toward something much more vast; it's much more personal with
Callie so deeply involved in the action. I think it's the interplay of
the several small stories that give your novel such an intimate feel. I
also detect the touch of a woman in some of the telling. But then you
did acknowledge your wife Deborah's collaboration. Your vivid
description of Hong Kong brought back fond memories of the place from a
little visit on R & R during my service to the same master you served,
the U.S. Navy at about the same time you did, and definitely in the same
place. I might have even being doing plane guard for you. Thanks again
for Hong Kong; keep up the great work." --Phil Reed September, 13, 2000

AN EXCERPT FROM STEPHEN COONTS' HONG KONG
CHAPTER ONE
One tiny, red, liquid drop of blood was visible in the center of the
small, neat hole in China Bob Chan's forehead an inch or so above his
right eye. Chan's eyes were wide open. Tommy Carmellini thought his
features registered a look of surprise.
Carmellini pulled off his right latex glove, bent down, and touched the
cheek of the corpse--which was still warm.
Death must have been instantaneous, and not many minutes ago, Carmellini
thought as he pulled the glove back onto his hand.
The diminutive corpse of China Bob Chan lay sprawled behind his
Philippine mahogany desk in the library of his mansion on the south side
of Hong Kong Island.
When Carmellini had eased the library door open a few seconds ago, he
had seen the shod foot protruding from behind the desk. He scanned the
room, then entered the library.
The side of the room opposite the door consisted of a series of large
plate-glass windows accented with heavy burgundy drapes. Through the
windows was a magnificent view of the harbor at Aberdeen. Beyond the
harbor was the channel between Hong Kong Island and Lamma Island. A few
lights could be seen on sparsely populated Lamma, and beyond that
island, the total darkness of the South China Sea. Tonight the lights of
the great city of Hong Kong, out of sight on the north side of the
island's spine, illuminated a low deck of stratus clouds with a dull
glow.
The band at the party on the floor below this one was playing an old
American pop hit; the tune was recognizable even though the amplified
lyrics were muffled by overstuffed furniture and shelves of books that
reached from floor to ceiling.
Tommy Garmellini looked around, trying to find the spent cartridge.
There, a gleam of brass near the leg of that chair. In the subdued light
of the library he almost missed it.
He stepped over, bent down, looked.
7.65 millimeter.
That cartridge was designed for small, easy-to-conceal pocket pistols.
Difficult to shoot accurately, they were serious weapons only at
point-blank range.
Standing in front of the desk, he put his hands on his hips and
carefully scanned the room. Somewhere in this room Harold Barnes hid a
tape recorder eleven days ago when he installed the wiring for a
satellite dish system.
Presumably Chan had ordered the system so that he could watch American
television. Perhaps he was a fan of C-Span, which was broadcasting the
congressional hearings concerning foreign--i.e., Chinese--donations to
the American political parties in the last election; in the past ten
days his name had certainly been mentioned numerous times in those
hearings.
Alas, Barnes had left no record of where he hid the recorder. He had
been shot in the head the night after he completed the installation.
Carmellini was certain Barnes would have used a recorder, not a remote
transmitter, which would have been too easy to detect and find. One
reason he was certain was that he had known Barnes, a quiet, careful,
colorless technician who had gone through the CIA tradecraft course with
Carmellini. Who would have suspected that Barnes would be the first of
that class to die in the line of duty?
The mikes...Harold ostensibly spent four hours on the television
satellite dish system, a system he should have been able to install in
two. If he followed normal practice, he would have hardwired at least
two tiny microphones, one for each track of the recorder.
The chandelier over the mahogany desk caught Tommy's eye. Ornate, with
several dozen small bulbs, it would attract Harold Barnes like sugar
attracts a fly.
Carmellini studied the chain that held the chandelier. There was a wire
running down it... no, two wires--one black wire and the other smaller,
carefully wound around the chain.
Barnes could have put a mike in the chandelier, another anywhere in the
room--maybe the desk or over by the reading area--and hidden the
recorder behind some books, perhaps on the top shelf. Surely there were
tomes that didn't get removed from the shelves once a decade.
Carmellini stepped to the nearest bookcase, studied the spines of the
books that filled the thing. Not a flake of dust.
A diligent maid would not be good.
So...
He pulled a chair over under the chandelier, then stood on it.
Aha! There it was, taped in the junction of the main arms of the
chandelier. With the bulbs of the chandelier burning brightly, the tiny
recorder would have been almost impossible to see from the floor.
Carmellini reached. In seconds he had the two reels out. Maybe
three-quarters of the tape had been used, about six hours' worth.
Back on the floor, he was tempted to put the reels into his pocket, then
thought better of it. He pulled up a trouser leg and carefully shoved
them down into one sock.
He had a new tape in his other sock, but with China Bob dead, the
recorder seemed superfluous. Should he cut the wires and remove the
device?
How much time did he have?
If China Bob Chan killed Harold Barnes, why was the recorder still
there? Was he waiting for someone to come for the tape?
Suddenly aware that time was fleeing, Tommy Carmellini pushed the chair
back to its former position. He vigorously rubbed the upholstered seat
of the chair to remove any marks his shoes had made.
As he straightened, he heard a noise. It seemed to come from the
secretary's office. When he stepped in that direction the light in the
smaller office came on.
Carmellini moved swiftly and flattened against the wall. The door to the
secretary's office was to his right. He listened intently for footsteps.
Carmellini desperately wanted to avoid being caught in this room with a
dead man on the floor and a tape in his sock. True, he had diplomatic
immunity as the assistant agricultural officer at the consulate, but the
publicity and hullabaloo of an arrest and interrogation, not to mention
expulsion from the country, would not be career-enhancing.
He heard the scrape of a chair being moved.
Coiled, ready to lash out if anyone came through the door, he approached
it, staying back far enough that he remained away from the glare of the
light.
Someone was sitting behind the secretary's desk, someone small. My God,
it was a kid! A boy, perhaps ten or twelve.
Carmellini stepped back so he would be out of sight if the youngster
glanced this way.
Now he heard a computer boot up.
There was one other exit from this room, at the far end. Carmellini
didn't know if the door was locked, but it led to another suite of
offices which opened into the hallway near the elevator.
He walked toward the door, moving quietly and decisively.
The knob refused to turn. Locked. There was a keyhole, but he could not
see the brand name or type of lock.
He removed a leather packet from his pocket and unfolded it, revealing a
carefully chosen selection of picks. He took one, inserted it in the
lock.
As he bent down to work on the lock, he saw for the first time the heads
of the bolts in the door. They had been painted the same dark color as
the door to make them less noticeable.
Even if he got the lock open, the door was bolted shut.
He put the pick away and stowed the packet in an inside jacket pocket as
he walked back toward the secretary's open door.
Standing at least six feet from the door, he moved so he could see
inside.
The kid was at the computer, typing.
Now he sat back in the chair, waiting. . .
In seconds a naked woman appeared on the screen, a woman holding what
appeared to be a giant penis in her hand. Now she--
Jesus, the kid is into porno!
Just what the woman was going to do with the penis, Tommy Carmellini
never discovered, for at that instant the door from the hallway opened
and a woman walked in. The boy took one look at the intruder and closed
the screen, but not before the woman got a good look at it.
She cuffed him once, said something in Chinese.
The boy ran through the icons, closed the Internet connection as the
woman spouted Chinese as quickly as her lips would move.
Carmellini stepped back against the wall and waited.
He heard the computer go off, heard the scrape of the chair and
footsteps, then the door to the hallway close firmly.
He peered into the office.
Empty.
He opened the hallway door a crack, just enough to see the woman and boy
disappear into the elevator at the end of the hallway.
He paused for a second, then went back into the library and scooted the
chair under the chandelier. Installing the new tape in the recorder took
about thirty seconds; then he found the on-off switch and turned off the
recorder. He put the chair back where it belonged and rubbed the seat
again.
At the door in the secretary's office, Carmellini checked to ensure no
one was coming, then stepped into the hallway and pulled the door shut
until it latched. Strains of Gershwin's "An American in Paris" were
audible here.
As he walked toward the staircase that led to the rooms below where the
party was being held, Carmellini stripped off his latex gloves and put
them in his pocket.
Downstairs he found Kerry Kent sipping champagne and talking animatedly
with a long-haired intellectual type who was gazing hopefully at her.
Kerry was a tall English woman with a spectacular mass of reddish brown
hair who spoke both Cantonese and Mandarin fluently. On most working
days she labored as a translator at the Greater China Mutual Aid
Society, an insurance firm, but in reality she was an officer in the
British Secret Intelligence Service, the SIS. Tonight she was wearing an
elegant dark blue dress that just brushed her ankles and a modest
borrowed diamond necklace.
"Oh, there you are, darting," she said lightly, laying a hand on Tommy's
arm. "I have been talking to this brilliant playwright--" She said his
name. "His new play is opening next week in the West End. My sister told
me quite a lot about it, actually. What a coincidence! When we get back
to London we must see it."
Carmellini shook hands with the scribbler and gently led Kerry away.
"Did anyone watch me come in?" he asked, just loud enough for her to
hear over the hubbub of cocktail party chatter and music.
"I don't think anyone was paying much attention. What were you doing up
there?"
"Watching porno on the Internet. Fascinating stuff! I'll tell you all
about it later. Who is this sicko stalking you?"
He was referring to a Chinese man who was standing six feet away and
openly staring at Kerry. When she moved, he moved.
"An admirer from the provinces, obviously, hopelessly smitten. All my
life I've had this devastating effect on men. It's such a bore. I'm
thinking of having chest reduction surgery to end these unwanted
attentions."
That comment was intended as a joke, for Kerry had a slim, athletic
figure.
Carmellini snarled at the staring man and guided Kent away by the elbow.
"Did you get it?" She meant the tape.
"It wasn't there. China Bob is stretched out behind his desk with a hole
in his head."
"Dead?" A furrow appeared between her eyebrows.
"Very."
"You found the recorder?"
"In the chandelier. But the tape was missing."
Kerry Kent sipped champagne as she digested Carmellini's lie. Just why
lying to her was a good idea he couldn't say, but his instinct told him
not to trust anyone. Someone shot Harold Barnes, and another someone,
perhaps the same one, put a bullet in China Bob Chan's head--and
Carmellini had known Ms. Kent for precisely three days, not exactly a
long-term relationship.
There were at least three ways to get from this floor of the mansion to
the floor above: two staircases and an elevator. Carmellini had slipped
up one set of stairs after he went to the men's room, which was out of
sight of the ballroom, just down the hall toward the back stairs. Anyone
in this room could have done precisely the same thing in the last few
hours, and probably several of them had.
Perhaps the tape held the answer.
Carmellini scanned the crowd one more time, trying to fix the guests in
his mind. The cream of Hong Kong society was here tonight.
"Tell me again," he said to Kerry Kent, "who these folks are."
She scanned the crowd, nodded toward a man in his sixties in the center
of a small crowd. "That's Governor Sun Siu Ki, surrounded by his usual
entourage--officials and bureaucrats and private industry suck-ups. The
gentleman of distinction talking to him is Sir Robert MacDonald, the
British consul general. The tall, blond Aussie semi-eavesdropping on
those two is Rip Buckingham, managing editor of the China Post, the
largest English-language daily in Hong Kong. Beside him is his wife, Sue
Lin. Over in the far corner is the American consul general, Virgil Cole,
talking to China Bob's sister, Amy Chan. Let's see, who else?"
"The fellow in the uniform with the highball, standing by the band."
"General Tang, commanding the division of People's Liberation Army
troops stationed in Hong Kong. He's been in Hong Kong only a few weeks.
The papers ran articles about him when he arrived."
"The man talking to him?"
"Albert Cheung. Educated at Oxford, the foremost attorney in Hong Kong.
Smooth and silky and in the know, or so I've heard."
She continued, pointing out six industrialists, three shipping magnates,
and two bank presidents. "These people are the scions of the merchant
and shipping clans that grew filthy rich in Hong Kong," she said, and
named names. "If ever a group mourned the departure of the British,
there they are," she added. "Never saw so much of the upper crust
chatting it up together."
Any person in the room could have gone upstairs and popped China Bob,
Carmellini reflected. All of them had probably excused themselves and
gone in search of the facilities once or twice during the evening. Or
someone could have ridden the elevator from the basement or walked to
the library from another area of the house. The field was wide open.
Still, Tommy Carmellini took one more careful look at each of the people
Kerry had pointed out, then said, "Perhaps we should leave now before
the excitement begins."
"A marvelous suggestion. Let me say a few good-byes as we drift toward
the door."
Five minutes later, as they stood waiting for the consulate's pool car
to be brought around, Carmellini asked Kerry, "So what's on the agenda
for the rest of the evening?"
"I don't know," she said lightly and turned toward him. He accepted the
invitation and kissed her. She put her arms around him and kissed back.
"You are such a romantic," she said when her lips were free.
"And single, too."
"I haven't forgotten."
"I don't recall mentioning my marital status before."
"You didn't. Your reputation preceded you. Tommy Carmellini, unmarried
burglar, thief, second-story man . . ."
"And all-around good egg."
"James Bond without the dash and panache."
"Don't knock the recipe until you've tried it."
"You'll have to sell me."
"I'm willing to give it a go, as you Brits say."
"Tell me about the Internet pornography. Little details like that spice
up action reports, make them interesting."
The consulate pool car pulled to a stop in front of them, and the valet
got out. "I was saving that morsel for later," Carmellini said as he
tipped the man and accepted the keys. "After all, the night is young."
Copyright 2000 © by Stephen Coonts
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